![]() | Animated Movies was launched by Olivier Mouroux in 1999. In addition to a daily news report, he also created a database of information about past, current, and upcoming films. In 2003, he took a job in the industry and had to give up his work on the site. Several fans of Animated Movies decided to take on the task of keeping the news portion of his site going, and founded what is now Animated Views. As AV turns 15, let's take a look back at the site we descended from. Below you can explore the database Olivier compiled at Animated Movies during its existence, as it last appeared online in October 2003. |
Directed by: Gary Chapman (previously Rob
Letterman)
Written by: Phil Hay and Matt Manfredi
(previously George Webster and George Melrod)
Production Started on: January 2, 2003
(pushed back from September 30, 2002)
Released on: Early 2005 (pushed back from
late 2004)
Budget: $40 million
![]() |
![]() |
![]() |
![]() |
Valiant... Ewan McGregor (rumoured)
While set in WWII, Valiant is described by insiders as more Private
Benjamin than Private Ryan, following a lonely and comically
misfit pigeon through boot camp at the Royal Pigeon Service. Vastly unqualified
for the job, Valiant squeaks his way through RAF training and is abruptly
sent on the most important mission of the war, charged with carrying key
dispatches from the French Resistance to Allies regarding the D-Day landing
in Normandy.
![]() |
![]() |
![]() |
![]() |
Variety announced
on May 16, 2002 that Shrek producer John
Williams would team up with Ealing Studios and Ralph Kamp's Odyssey Entertainment
to make Valiant, a $40 million computer-animated movie about a heroic
pigeon. Odyssey is launching the project, its first movie production, to
international distributors at Cannes. Rob Letterman (Los Gringos)
will direct. This comedy penned by George Webster and George Melrod is
the story of a wood pigeon who aspires to become a messenger in the Royal
Air Force during WWII.
Vanguard Films, headed by John Williams, partnered with the Walt Disney
Studios on September 5, 2002 to produce a slate of computer-animated feature
films budgeted at between $35 million and $40 million. The deal critically
added a second established turnkey supplier to Disney's animation pipeline,
alongside Steve Jobs' Pixar Animation Studios. "We have set up a unique
approach to funding and making these movies," said Williams. "We will make
these films for under $40 million each, and they will be delivered within
two years of their start date. We will deliver Toy
Story-to-Dinosaur-to-Shrek-level
animation. We came to Disney with confirmed financing, completed scripts,
completed budgets, multiple CG tests for each film, advanced character
designs and production design concepts." Valiant is the first film
from Vanguard Animation to go into production, followed by an anticipated
slate of three more CG-animated films.
Over thirty pre-production
stills from the project were made publicly available on the Vanguard
Film website through mid-September, but was taken down shortly after
the Disney announcement, and a somewhat negative early buzz about the look
of the project started to spread.
A 2-D production
based on a very similar story has reportedly been in development since
2001, and was supposedly pitched in the late '90s to both Pixar then DreamWorks,
back when Shrek was starting up. Called
Fightin'
Feathers, that second project is supposedly more kid-friendly,
with a cartoony look and tighter plot--all of which is totally unconfirmed
at this stage. 'iwantthisrock' revealed in May 2003 that "at the time it
seemed like it was Dreamworks who might've had this project up and running.
The [anonymous] studio doesn't want the same kind of negative backlash
Vanguard recieved when
Valiant pre-production art was shown online.
I can't talk about who is working on it yet, or what studio is producing
it. But I can tell you that it has been around much longer than Valiant,
and that the story has gone through extensive preproduction. And
I can show you some artwork.
The movie is primarily 2D, with (for right now) limited 3D. Almost
all the character work will be traditional, as opposed to Valiant's
3D. If everything goes as planned, all the work will be done in North America."
Spanish studio
Accio
went ahead with the production of a third project called Flying Heroes,
with a similar premise except that it is set in WWI instead of WWII. 'Mark'
tells us that "they had this idea for some time [and] were shocked to find
out about these other productions."
Valiant
started pre-production in September 2002 in Los Angeles, then moved to
Ealing Studios in London for actual production.
Co-producer Barnaby
Thompson argued that the falling cost of animation equipment had opened
the door to mainstream, family-friendly product for independents. Just
as importantly, Pixar Animation Studios' CGI hits such as Toy
Story proved animation can be made outside Disney's Magic Kingdom,
albeit with Disney's financing and distribution. "Since Pixar, in general,
animation has come from a wider group of people. Pixar has a very distinctive
feel. Although it is distributed by Disney, it feels independent."
Thomas Schumacher
revealed in an interview with Dutch business magazine DVD-BIZZ in January
2003 that Disney doesn't have to distribute Valiant if the studio
doesn't like the film... but it also has an option on all the future releases
of Vanguard Animation if it does.
Walt Disney Co.
has North America and worldwide merchandising rights on Ealing Studios'
Valiant.
The $40 million CGI story of WW2 carrier pigeons will be the first film
to use Ealing’s new animation studio, and will occupy the facility for
no less than 18 months. The film is likely to employ French as well as
UK animators, highlighting the importance of European talent in UK animation
productions.
Vanguard Animation's
John Williams already circled a follow-up project to Valiant: Bruce
Hale's children mystery book series, Chet Gecko. Commenting on the
fact that he was already negotiating with two studios for distribution,
John Williams stated in April 2002, "Chet Gecko is a great parody
of the gumshoe detective genre. Hale excels at transporting classic film
noir scenarios into new comedy contexts." Jordan Katz had combined a myriad
of storylines from the series to create the initial script and is contemplating
either The Hamster of Baskerville or Danger is My Beeswax
as the title.
USA Today revealed
in a March 2003 article that Valiant was "planned for early 2005,"
pushed back from its original tentative Fall 2004 slot.
The head of Disney
feature animation, David Stainton, had this to say about the studio's deal
with Vanguard Films chief John Williams to create less costly computer-animated
films: "We will have tentpole Disney movies but also fun experiments that
are smaller and riskier. We have to be out there. That is where the great
big movies of tomorrow will come from."
UK Film Council's
Premiere Fund has announced in April 2003 that it would invest $4 million
into Valiant, to be directed by British helmer Gary Chapman.
Vanguard Animation
announced in August 2003 that it was implementing NXN alienbrain VFX, the
only digital asset and production management system specifically designed
for high-end computer graphics projects, for the production of Valiant.
The film, to be distributed by Disney in North America, was then due for
completion in fall 2004. "We are proud to be an integral part of this landmark
production and look forward to working with the Valiant team to
deliver this CG feature on time and within budget," said Steve Tyson, VP
of sales for NXN Software Ltd. NXN alienbrain VFX will enable the 85 CG
artists, modelers and managers working on Valiant to track the dependencies
between scenes, models and textures, manage large volumes of film frames
efficiently and optimize versioning and archiving for all digital assets.
Vanguard
Animation, located in Los Angeles and the Ealing Studios in London,
intends to produce one release per year.
The Los Angeles
Times specified in September 2003 that the deal Disney signed with Shrek
producer John Williams and his Vanguard
Animation outfit last summer includes four moderate budgeted 3-D movies.
"Our hope is to be a major provider of big, commercial CG family movies
to Disney's pipeline," said Williams.